Date: Monday, February 11, 2019
Location: Brattle Theatre, 40 Brattle Street, Cambridge, MA
Director: Jodie Mack
Film Details: 2018, 60 minutes, *35mm*, color, sound
World Premiere at the Locarno Film Festival. Official Selection of the Toronto International Film Festival and the New York Film Festival.
Screening on 35mm! Filmmaker Jodie Mack will attend in person for Q&A with local filmmaker and Harvard film/video and animation faculty member Ruth Lingford.
About the Film:
A postcard from an imploded society. Bringing mundane objects to life to interpret place through materials, The Grand Bizarre transcribes an experience of pattern, labor, and alien[-]nation[s]. A pattern parade in pop music pairs figure and landscape to trip through the topologies of codification. Following components, systems, and samples in a collage of textiles, tourism, language, and music, the film investigates recurring motifs and how their metamorphoses function within a global economy.
“In giving primacy to things over people, The Grand Bizarre mounts a radical, object-oriented ethnography, one that encapsulates our present, capitalist epoch from within, showcasing the life of the mind by presenting the world to us all at once.” – Cinema Scope
About the Director:
Jodie Mack is an experimental animator who received her MFA in film, video, and new media from The School of the Art Institute of Chicago in 2007. Combining the formal techniques and structures of abstract/absolute animation with those of cinematic genres, her handmade films use collage to explore the relationship between graphic cinema and storytelling, the tension between form and meaning. Musical documentary or stroboscopic archive: her films study domestic and recycled materials to illuminate the elements shared between fine-art abstraction and mass-produced graphic design. The works unleash the kinetic energy of overlooked and wasted objects and question the role of decoration in daily life.
Mack’s 16mm films have screened at a variety of venues including the Ann Arbor Film Festival, Edinburgh International Film Festival, Images Festival, Projections at the New York Film Festival, and the Viennale. She has presented solo programs at the 25FPS Festival, Anthology Film Archives, BFI London Film Festival, Harvard Film Archive, National Gallery of Art, REDCAT, International Film Festival Rotterdam, Shenzhen Independent Animation Biennale, and Wexner Center for the Arts among others. Her work has been featured in publications including Artforum, Cinema Scope, The New York Times, and Senses of Cinema. She is an Associate Professor of Animation at Dartmouth College and a 2018/19 Film Study Center Fellow at Harvard University.
Prior to the feature screening, The DocYard is excited to present two of Jodie Mack’s recent short films on 16mm!
Hoarders Without Borders 1.0 (2018, 4m45s, 16mm, color, silent) Featuring crystallized magic markers and the kidney stone of a horse, the generously-curated mineral collection of Mary Johnson comes to life in a manual labor of love for the process of archival procedure.
Wasteland No. 1: Ardent, Verdant (2017, 4m30s, 16mm, color, silent)
A eulogy for wasted potential sends the out of date to the out of body: trash to treasure. An appetite for destruction charts the product life cycle, interrupting the horizon through an intersection of perspectives.